The most personal writing yet to come from a noted scholar of race: a bold and moving look at race, gender, aging, and immigration that examines, through lenses both intimate and political, what it means to be an Asian American woman living in America today. Part memoir, part cultural criticism, part history, Anne Anlin Cheng’s original essays focus on art, politics, and popula...(展开全部)

The most personal writing yet to come from a noted scholar of race: a bold and moving look at race, gender, aging, and immigration that examines, through lenses both intimate and political, what it means to be an Asian American woman living in America today. Part memoir, part cultural criticism, part history, Anne Anlin Cheng’s original essays focus on art, politics, and popula...(展开全部)

【作者简介】 施罗默·桑德（Shlomo Sand） ，以色列特拉维夫大学历史学教授，曾任教于法国社会科学高等研究院。1946年出生于奥地利林茨，是大屠杀中幸存下来的波兰裔犹太人，幼年时生活在难民收容所，1948年举家迁往雅法。1982年获得法国社会科学高等研究院博士学位，致力于民族与民族主义、法国知识分子历史、电影史等研究领域。其著作《虚构的犹太民族》《虚构的以色列地》《我为何放弃做犹太人》被称为“虚构三部曲”，在以色列和西方学界引起轰动与争议。 另著有《知识分子、真相和权力：从德雷福斯事件到海湾战争》（Intellectuals, Truth and Power: From the Dreyfus Affair to the Gulf War）、《词语和土地：以色列知识分子和民族主义神话》（The Words and the Land: Isra...(展开全部)

Conventionally, US immigration history has been understood through the lens of restriction and those who have been barred from getting in. In contrast, The Good Immigrants considers immigration from the perspective of Chinese elites—intellectuals, businessmen, and students—who gained entrance because of immigration exemptions. Exploring a century of Chinese migrations, Madeline...(展开全部)

Conventionally, US immigration history has been understood through the lens of restriction and those who have been barred from getting in. In contrast, The Good Immigrants considers immigration from the perspective of Chinese elites—intellectuals, businessmen, and students—who gained entrance because of immigration exemptions. Exploring a century of Chinese migrations, Madeline...(展开全部)

在线阅读本书 When Braid Beard's pirate crew invites Jeremy Jacob to join their voyage, he jumps right on board. Buried treasure, sea chanteys, pirate talk--who wouldn't go along? Soon Jeremy Jacob knows all about being a pirate. He throws his food across the table and his manners to the wind. He hollers like thunder and laughs off bedtime. It's the heave-ho, blow-the-man-down, very ...(展开全部)

梅林达·朗 在美国，梅琳达不仅仅是个童书作家，还是一位非常有影响力的教师。她的创作灵感大多来源于小时候的经历和幻想。她写出这段海盗故事，就是因为童年的时候在自家后院玩过藏宝游戏。除了《千万别去当海盗》《海盗从不换尿布》，她的得意之作还有《海盗活动手册》《当爸爸打鼾时》。《千万别去当海盗》出版后，获得了美国国家亲子出版奖、国际阅读学会、美国童书协会儿童评选最爱童书，并持续位居《纽约时报》畅销书排行榜。据说，在创作这则故事时，梅琳达满口都是流利的海盗话，离她家不远的地方还有个著名的海盗窝呢。 大卫·夏农 一个海盗话不太流利的画家。1959年生于华盛顿。擅长运用油画技法创作绘本，他的作品画面饱满、色彩浓郁，焕发出勃勃的生机。除了会讲海盗话，他还懂 “鸭子语”呢，他的《鸭子骑车记》深受小朋友的喜爱。他还创作过《下雨了》《大卫不可以》《大卫上学去》等绘本，作品...(展开全部)

斯蒂夫·赫利(Steve Hely)，美国作家，编剧。毕业于哈佛大学，在校期间曾担任哈佛校园最知名的刊物《哈佛妙文》的社长。毕业后从事编剧工作，为脱口秀节目《戴维·莱特曼晚间秀》、喜剧卡通片《美国老爹》、电视剧《我为喜剧狂》担任编剧及制作人，所参与节 目多次获得美国电视界类最高奖项艾美奖。与人合著漫画游记《荒唐的赛跑》。